an incomplete manifesto by merve polat

ArşivNº.0903

♥️ (at Topagaci)
This season sees kitten heels and ’70s inspired western boots 🔥 #gianvitorossi 👆it’s always feminine and strong👠👤 (at Beymen Nisantasi)
👻
➰
whore-for-couture:

Mugler, Fall 2012 Ready to Wear
Dev fare🐭 (at Topagaci)
🙏 (at Barbaros Meydanı (Beşiktaş))
aseaofquotes:

F. Scott Fitzgerald, “Winter Dreams”
bildwerk:

MARCEL DUCHAMP
Bride, 1934 Aquatint in colors by Jacques Villon, on Arches paper, with full margins (deckle on all sides),  I. 19 1/2 x 12 1/4 in. (49.5 x 31.1 cm); S. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)
The aquatint of Bride, after the painting of 1912, was printed by Duchamp and his brother Jacques Villon for the Galerie Bernheim-Jeune, Paris, in 1934. Villon, who had been under contract with the gallery since 1922, had produced a series of colored aquatints after the work of such early modern masters as Georges Braque, Paul Cézanne, André Derain, Pablo Picasso, and Pierre-Auguste Renoir. Here he collaborated with Marcel. Arturo Schwarz, The Complete Works of Marcel Duchamp, Thames and Hudson, London, p 722
colinquinn:

Rosso antico torso of a centaur 1st -2nd century A.D. Marble

"It’s strange. I felt less lonely when I didn’t know you."

-  Jean Paul Sartre, The Flies (via intramuro)

(Kaynak: whyallcaps.us, intramuro gönderdi)